I am very comfortable in my obsession with all things Violet Craft. Like her patterns are beyond bananas. So fresh and modern and smart, which basically described Violet as well. Plus she’s basically my neighbor (and by neighbor I mean she lives 45 minutes away). So when she created this Elevated Abstractions Foundation Paper Piecing pattern that is a spot on replica of Mount Hood, I haaaaaad to make it.
Since this is a mountain I only get to see when it’s sunny in Portland, I knew that I wanted to make an au naturel version. So I went to my stash of Art Gallery Fabrics Pure Elements and pulled out all the colors that fit this vision. Sun lit skies have a natural gradient that lightens as you get closer to the horizon, so when I noticed that the pattern had the potential for that built in I opted for that instead of a solid sky.
I think it was raining the day I started so I began with the sun because that’s how my brain works. And legit I felt very energized after.
Next I built the foreground and the mountain, overlapping the colors the resembled what I saw in nature. The result was quite magical I think because when I was done I was like oh em gee that’s what I see!!!
Next stop: quilting this bad boy. As I often do with quilting decisions, my brain became flooded with all these neato ideas that would look rad. But then the ideas overwhelmed me to a standstill and I couldn’t decide for months. So finally I just moved forward with my standby of narrow horizontal lines using Aurifil 50wt Ermine which I know will always look awesome sauce and helps move a project from perpetual WIP to the done column.
For the binding, I knew that I wanted to pull from the colors in the sun, so I held each color up to the edge and landed on Honey, which is a brownish mustard color and looked amazing around all the colors in the quilt. And Aurifil Mustard 50wt was the perfect complement for topstitching the binding.
And as soon as I was finished, the sun came out and stuck it up on my fence and snapped this picture. Oooooooh…..